It’s got David Hasselhoff! It’s got Christopher Plummer! Starcrash (1979) is the movie for this Sunday’s “monsterdon” watch party over on Mastodon, our fediverse sibling!

• Just start watching that movie this Sunday, June 22, 2025 at 9pm ET / 8pm CT / 6pm PT which is 1am Monday UTC
• and follow #monsterdon over on mastodon for live commentary. For example, you can follow that hashtag here: https://mastodon.social/tags/monsterdon
• I usually open two web browser windows side-by-side on a computer. But you could follow the mastodon commentary on a phone app while watching the movie on TV or something.

How to watch the movie:

• tubi (availability varies by country): https://tubitv.com/movies/399606/starcrash
• youtube: (this is the second half of a “double feature” single video, the link should take you to the start of the right movie at 1:53:10) https://youtu.be/pARZWkeHnUk?t=6790
• youtube: (SPANISH VERSION - Choque de galaxias, en Castellano) https://www.youtube.com/watch?v=68XLVVlra7E
• youtube (FRENCH VERSION - Le Choc des étoiles, version Française - warning, this one is 10 minutes shorter?): oops this one is actually “Escape from Galaxy 3” which is sometimes known as “StarCrash 2” for re-using some of its scenes
• uBlock Origin adblocker on Firefox should work for those tubi and youtube links
• archive: https://archive.org/details/starcrash-1978_202403
• someone usually streams it on https://miru.miyaku.media/ at that time
• if you want to pay and/or watch ads, look here: https://www.justwatch.com/us/movie/starcrash

Widely regarded as a “cash-in” on the unprecedented success of Star Wars,[9] the film was an international co-production between Italy and the United States.
…
In a contemporary review, Variety noted that the film had a “weak screenplay” and that Cozzi’s direction “seemed to have no apparent plan”.[7] Variety commented that “what is surprising for a picture of this genre, however, is the lacklustre photography by Paul Beeson and Roberto D’Ettorre and special effects by Armando Valcauda and German Natali”, and that the “photography almost never convinces that this is actually taking place anywhere but on the movie screen and special effects seem little more than poor imitations of what’s been done before”.[7] The Monthly Film Bulletin noted the “mediocre special effects and a clumsily protracted finale”, but stated that Starcrash “intermittently achieves a kind of lunatic appeal as it lurches pell-mell from one casually fabricated climax to the next”.[8]

A retrospective review by Kurt Dahlke of DVD Talk said, “Starcrash is a masterpiece of unintentionally bad filmmaking. Pounded out in about 18 months seemingly as an answer to Star Wars, Luigi Cozzi’s knock-off buzzes around with giddy brio, mixing ridiculous characters with questionably broad acting, an incredibly simple yet still nonsensical plot derivative to Star Wars, and budget special effects that transcend into the realm of real art. It’s a completely ridiculous movie, that’s great to watch with a few friends and a beer or two. And it still manages to make my jaw drop.”[17] R. L. Shaffer of IGN gave the film a rating of 10 out of 10, declaring it the “single greatest sci-fi camp fest ever put on celluloid” and put it in a league with cult classics like Troll 2, Riki-Oh: The Story of Ricky and The Room.[18] On Rotten Tomatoes, the film has an aggregate score of 29% based on 2 positive and 5 negative critic reviews.[19]

In 2015, Starcrash was chosen by Rolling Stone as one of the 50 Best Sci-Fi Movies of the 1970s.

https://en.wikipedia.org/wiki/Starcrash